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近观国内几部比较红火的电视连续剧作品,感到经过了扎堆拍摄抗日战争的“神剧”阶段,已经呈现出题材表现领域宽广、演员阵容强大、普遍具有观赏性的艺术特点。但如从剧作的创新性看,有些作品令人遗憾地破坏了艺术必备的真实性原则,丧失了审美可信性。这提醒我们,在中国的影视作品力求走出去参与国际竞争的大背景下,国产电视剧的生产状况还不很乐观,仍然需要丢弃浮躁和急功近利的短视行为,扎扎扎实实“聚焦质量,共赢未来”。
After a closer look at several relatively prosperous TV series in China, I felt that after the “God of Drama” stage of massacre of the Anti-Japanese War, I have already shown the characteristics of a broad field of theme expression, a strong lineup of actors and a generally ornamental artistic feature. However, judging from the creativeness of dramas, some works regrettably undermine the principle of the authenticity of art and lose the aesthetic credibility. This reminds us that under the background that Chinese film and television works strive to go out and participate in international competition, the production of domestic drama is still not very optimistic, and the short-sighted behavior of impetuousness and quick success needs to be discarded. Win the future ".