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索菲(桑德琳·波奈儿饰)是上流阶层雷利弗尔家的保姆,她每天为这家人准备饭菜、打扫房子,忙得团团转。同时,索菲向这家人隐瞒了自己不识字的事。一次偶然的机会下,索菲与热情的邮局职员珍妮(伊莎贝尔·于佩尔饰)成为好朋友,珍妮为她念购物单,并且告诉她很多趣闻轶事。而主人雷利弗尔一直怀疑珍妮利用职务之便偷看自己的信件,警告索菲要离她远一点,并且告诉她珍妮曾被嫌疑谋杀儿童。在左右为难之际,索菲不识字的事也被主人发现。这部影片以女性为主体,揭示了克劳德·夏布罗尔作品一贯的主题:阶级虚伪性。影片最后两个被社会孤立和怀疑的女人的愤怒终于爆发,转向恐怖的暴力行为。克劳德·夏布罗尔将人物的内心变化刻画得极为细腻自然,而在他的指导下,伊莎贝尔·于佩尔和桑德琳·波奈儿的表现非常值得称道,两个人以在这部片中的出色表现共同夺得了威尼斯电影节最佳女主角奖。
Sophie (Sandrine Bonnie) is a nanny for the elite Rayleafel, who cooks meals for the family every day, cleaning her house and getting around. At the same time, Sophie hid from the family what he was not literate. By accident, Sophie became friends with passionate post office staff Jenny (Isabel Uper) and Jenny read her shopping list and told her many anecdotes. And Rayleigh Lord, the owner, had suspected Susie’s peeking of his letters in his office, warning Sophie to stay away from her and telling her she was suspected of murdering her. In a dilemma, Sophie’s illiteracy was also discovered by her master. The film, based on women, reveals the consistent theme of Claude Shabrol’s work: class hypocrisy. The wrath of the last two women, isolated and suspected by society, finally broke out and turned to terrorist violence. Claude Chabrol portrays the innermost changes in the characters as extremely delicate and natural, and under his guidance Isabel Uper and Sandrine Bollner are remarkably commendable, with two in this section The film’s outstanding performance won the Venice Film Festival Best Actress Award.