在中国近代绘画史上,出现了两大艺术巨匠:刘海粟与徐悲鸿。他们二人,是那么亲近,又那么疏远。是师徒,又是仇敌。他们二人,在一起教画学画,相处相依,过后却背道而驰,以至相对辱骂。可是,始终还是朝向同一方向——为艺术而献身于国家民族。他们同是根植于神州大地,同在一个领域探索创作,培育美术人才。但却在某一微妙的特殊情况下演变成“老死不相往来”。这简直是一件不可思议的事,但却是事实。而且,一直到五十年后的今天,两大流派的继承者,有些仍然对峙着,怀着极深的 In the history of modern Chinese painting, two great masters of art emerged: Liu Haisu and Xu Beihong. They are so close and so distant. Is mentoring, but also enemies. The two of them taught painting and learning to draw together and get along with each other, but afterwards they ran counter to insults. However, the same direction has always been the same - dedicated to the national nation for art. They are both rooted in the vast land of China and explore creative work in one area to cultivate fine art talent. However, in some delicate special circumstances, it has evolved into “never-ending relationship.” This is simply an incredible thing, but it is a fact. And even today, fifty years from now, some of the successors to the two genres still confront each other with deep