马未定是我20年的老朋友,在北京我们见面的时候很多,经常彻夜长谈,发现我们两个很多艺术观点是一致的。我原来对20世纪美术史比较感兴趣,我认为中国的艺术史、文化史是一个链条,当前一个时代的艺术出了问题,这个时代的艺术家需要去修正,是这个时代反思、修正前一个时代的工具。那么今天中国美术史的问题,就是市场,它的作用远远超出了美术史本身发展逻辑的作用,市场强大的推动力,使今天的艺术家普遍很少 Ma Wending is my 20-year-old friend. When we met in Beijing, we often talked all night and found that many of our two artistic ideas are consistent. I was originally interested in the art history of the 20th century. I think that the history of art and culture in China is a chain. The art of the current era is a problem. The artists of this era need to be amended. This is the reflection of this era and the revision of the previous era Tool of. So today the problem of the history of Chinese art is the market. Its role goes far beyond the logic of the development of art history itself. The powerful impetus of the market makes the artists of today generally few