解放后的一段时期内,国画曾被认为是封建的、传统的、脱离工农大众和社会主义生活的没落艺术,它不像版画那样具有战斗性、革命性,也不像年画、连环画那样具有大众性、普及性,更不像油画那样能迅速倒向苏联的学院派绘画,所以当时国画家们转向年画创作者为多。 During the post-liberation period, traditional Chinese painting was considered as a feudal, traditional and decadent art which was free from the masses of workers and peasants and the socialist life. It was not as revolutionary as a print, nor as popular as New Year pictures and comic books Sexuality, popularity, and even less like oil painting can quickly fall to the Soviet Union’s academic painting, so when the painters turned to more New Year creators.