以名胜古迹为题材的年画并不罕见,但如《赵州大石桥真景全图》如此大尺寸者却极少。画幅的大小通常可以反映画店的实力,而历史上年画店的状况却一直鲜有还原。已公开的年画研究成果表明,从美术学即年画的视觉审美出发是研究的主流,1从社会学探讨年画店的营作方式、存续状态等一直处于边缘领域。这无疑是我国民族 New Year pictures with historical sites and monuments are not uncommon, but such large-size pictures as the “Big Picture of Dashiqiao in Zhaozhou” are rare. The size of the frame usually reflects the strength of the painting shop, but the history of New Year’s shops has been rarely restored. The published research results of New Year pictures show that starting from the visual aesthetics of Art New Year paintings is the mainstream of research. 1 From the perspective of sociology, the operation mode and existing status of the New Year pictures stores have been at the edge. This is undoubtedly our nation