随着清代金石学、文字学的兴盛与普及,篆刻艺术受其沾溉而获得突破性的发展。晚清时期吴熙载、赵之谦、黄士陵、吴昌硕等人的出现,将印章艺术推向了自战国秦汉以来的又一个高峰。到民国初年,文人书画家纷纷磨石鼓刀,印坛名家灿若秋星。当时有成就的印人大多活动于上海、杭州一带,在北方的文化中心北京,影响较大者除了后来举世闻名的齐白石外,还有一位便是陈师曾。一陈师曾名衡恪,师曾本是乳名,后遂用作表字,号朽者、朽道人,斋名初署觭禽,后称槐堂,又因仰慕吴昌硕的艺术风 With the golden age of the Qing Dynasty, the flourishing and popularization of the science of writing, the seal carving art has obtained the breakthrough development by its irrigation. The appearance of Wu Xizai, Zhao Zhiqian, Huang Shiling and Wu Changshuo in the late Qing dynasty pushed the seal art to another peak since the Warring States Period and the Qin and Han Dynasties. To the early Republic of China, scholars calligraphers have mashed knife, Indian artist Cancan autumn star. At that time, most successful Indian people were active in Shanghai and Hangzhou. In the northern cultural center of Beijing, the most influential people were Qi Shi-shih, who later became world-famous. Another was Chen Shizeng. A teacher who had been named Heng Ke, division had this is the name of the milk, then used as a table word, immortality, monsters, vegetarian name early Department bird, later known as Huai Church, because admired Wu Changshuo art style