隶书是极其重要的书体,从文字的演变来看,隶书的结体、笔法,直接繁衍了草书、楷书、行书。应该说,隶书是中国文字发展极其重要的环节。从艺术角度来看,隶书以全新的面目进入我们民族的审美历程。高凯明先生是散文家,其次是书法家。迩来高先生于书法创作用功颇勤,取得了不菲的成绩。很多人仅仅把他看成书法家了。一方面是误解,一方面说明高凯明书法创作的高峰期到来了。高凯明的隶书是他的代表书体,尤其是胎息《好大王碑》的隶书,以朴茂的风格气息和散淡的笔墨表达,让人感觉到隶书的又一种特征、又一种态势。《好大王碑》线形并不复杂,多以圆笔出 Lishu is an extremely important book body, from the evolution of the text, the official script, the strokes, direct reproduction of the cursive script, regular script, Xingshu. It should be said that the official script is an extremely important part of the development of Chinese characters. From an artistic point of view, official script into a new look into the aesthetic course of our nation. Mr. Gao Kai-ming is essayist, followed by calligrapher. Mr. Erlai Gao has done a lot of hard work in calligraphy and made remarkable achievements. Many people just think of him as a calligrapher. On the one hand, it is a misunderstanding. On the other hand, it shows that the peak of Gao Kai-ming’s calligraphy writing has arrived. Gao Kai-ming’s official script is his representative book body, especially the fetish “good monument” official script, to Park Mao’s style and scattered expression of the pen and ink, people feel the official script yet another feature, another situation. “Great monument” linear is not complicated, mostly pen out