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表现型水墨出现于水墨画现代改造过程中,它反映了85新潮以后中国画进入当代语境的诉求。与西方表现主义结合,对传统审美体系根基造成动摇的同时又显示出无法割舍情怀。表现型水墨题材以人物画居多,与人物画发展历史不无关系。取生活常见物象,对形象进行变形,调整元素之间的客观联系,运用符号化的处理方式,增强个体内在情感与生存感受的表达。综合材料的介入增强画面的肌理、质感塑造,拓宽了水墨表现力。
The phenomenal ink appeared in the modern process of ink painting, which reflected the demand of Chinese painting into the contemporary context after the trend of 85. Combined with Western expressionism, the foundation of the traditional aesthetic system has been shaken, but at the same time it has been shown that it is impossible to give up feelings. The phenomenal theme of ink painting is mostly portraits, not unrelated to the development history of portraits. Take the common image of life, the image of deformation, adjusting the objective relationship between the elements, the use of symbolic approach to enhance the internal feelings of individuals and the expression of the feelings of survival. Integrated materials to enhance the picture of the texture, texture shaping, broaden the expression of ink.