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……我们是最早来到这个地方的,我们来这个地方是为什么?第一,是我们要做一个当代艺术区第二,是要保护工业遗产因为纺织城艺术区看上去跟北京798艺术区有相似之处,非常有历史的价值,我们要保护它,所以我们要建当代艺术区——六个被起诉的纺织城艺术家在2012年9月25日法庭上的证词2013年的7月,在王名峰策划的“回路——西安当代艺术邀请展”上,纺织城艺术家程乾宁、胡小玉特意做了一个视频作品《2007·惊蛰》。胡小玉说,这是根据纺织城艺术区创业时期的一段录像整理制作的,至今看了让人心情难以平静。影像记录了西安的艺术家贺军、白夜、程乾宁、胡小玉、王风华等人来到纺织城有着50年历史的、已经破产的唐华一印厂,满眼衰败凋敝的工厂已是杂草丛生,破碎的车间的玻璃挂满了尘土与蛛网,但
... ... we came to this place first, why did we come to this place? First, we need to be the second in a contemporary art district and we want to protect the industrial heritage. Because the Textile City Art District looks like the 798 Art Zone in Beijing Similarities are very historic and we want to protect it so we are going to build a contemporary art district - testimony from six prosecuted textile city artists in court on September 25, 2012 in July 2013 at Wang Ming Feng planning “Circuit - Xi’an Contemporary Art Invitation Exhibition ”, the textile city artist Cheng Ganning, Hu Xiaoyu deliberately made a video work “2007 · Jingzhe.” Hu Xiaoyu said that this is based on the Textile City Art Zone during the start-up period of a video finishing production, so far to see people feel difficult to calm. The video records Xi’an Artists He Jun, White Night, Cheng Ganning, Hu Xiaoyu, Wang Fenghua and others came to the textile city has a 50-year history of bankrupt Tang Hua a printing plant, eyeful decadent decay factory is overgrown, Broken workshop glass covered with dust and cobweb but