The period in Kosovo from the 1970s to the early 1980s is important yet insufficiently explored.The period is characterized by a liberal approach toward the development of the region.Such development of Kosovo was evident in all spheres of life,including architecture,which functions as an integral part of a society and its progress.This progress was supported with an intention to overpower the existing architectural environment and the overall identity of the region in some way.However,when this progress was realized wherein numerous buildings considered important were materialized,an intention to have the earlier and original spatial structures to be replaced became evident.In the case of Kosovo,the term liberal can be understood negatively and positively.From the architectural viewpoint,designs tend to follow technological advances and trends of the time.Consequently,the materialization of such buildings,which are surrounded by symbolisms related to different types of identity and leading toward regional modism,is an important part to emphasize.The current study aims to consider important thoughts about architectural identity and its categories in general but specific to the context of Kosovo.The history of the region has a critical story of influences toward its formation.Although several philosophies were accepted by the mass,others produced the antidote of the actual input.This study considers the importance of finding the best possible interpretation of Kosovo’s architectural identity,such that Kosovo can be well known in the future as it was in the past.