由于历史的原因,中国处于封闭、半封闭状态的时间漫长。改革开放以后,在市场经济的条件下,文艺的环境宽松自由度迅速扩大,西方文化不断涌入。随之出现的美术界各种展览、各种刊物、各种作品、各种理论,纷纷云云,目不暇接。新鲜的空气和成果固然不少,但许多审美理论问题、创作实践问题,经常令人迷惘,甚至好象在汪洋中辨不清方向,在深山里找不到出路。许多画家在苦恼,学生在盲目…… Due to historical reasons, China has been in a closed and semi-closed state for a long time. After the reform and opening up, under the condition of a market economy, the liberal freedom of literature and art expanded rapidly and the influx of Western culture continued. The various art exhibitions, various publications, all kinds of works and various theories appearing subsequently appeared one after another. Although there are many fresh air and achievements, many problems of aesthetic theory and practice of creation are often confusing. Even we seem to find no direction in the ocean and find no way out in the deep mountains. Many painters are distressed and students are blind ...