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镜子意味着物象媒介之间的交流。受过西洋画正规训练的人都知道,一幅作品的效果如何,可以用镜子来对照,瑕疵即可立竿见影。如果说西方绘画东渐中国是艺术媒体的传播的话,那么中国清代珠江通商口岸广州的西洋画家却偏偏给西方送回了这类媒体的一面面镜子—玻璃油画,玻璃水彩画。道光年间梁廷楠编修的《奥海关志》卷九“税则二”中,记载当时中国外销的玻璃
The mirror means the communication between objects and media. Those who have been trained in Western art know that the effect of a piece of work can be controlled by a mirror, and the flaw can be immediately felt. If Western painting spread to China as an art media, Western artists in Guangzhou, China’s Pearl River trading port of Qing dynasty, chose to send such mirrors of the media back to the West - glass paintings and glass watercolors. During the Daoguang period, “Austrian Customs House” edited by Liang Tingnan, “Tax II”, records the glass that was exported from China at the time