据《神奇秘谱》记载:晋朝书法家王徽之,久闻桓伊笛艺高超,因一直未见其面,颇觉遗憾。一次,俩人在路途中偶然相遇,于是下车施礼,共论其好。王徽之说:“闻君擅长吹笛,恳请一曲如何?”桓伊应诺,出笛即兴吹奏“三弄”之调。嗣后,此曲被琴家们所吸收,并改编成琴曲《梅花三弄》。家居杭州的浙江民族乐团作曲家钱兆熹取琴曲蕴意,同时揉合合奏曲《梅花操》的音乐素材,复改成笛子音诗《梅花引》。作者巧妙运用了七孔独奏大笛一系列新的表现技巧,辅之以多声部的配器手法以及新的音 According to “miraculous secret book” records: calligrapher Wang Hui of Jin Dynasty, long heard Huan Iraq flute art superb, because has never seen its face, quite feel sorry. Once, the two met by chance on the road, so get off salute, a total discussion of its good. Wang Hui Zhi said: “Wen Jun is good at piper, implore a song how?” Huan Yi promise, flute improvisation “three get” tune. Later, the song was absorbed by the Qinqin, and adapted into the song “plum three get.” At home, Hangzhou’s Zhejiang National Orchestra composer Qian Zhaoxi picked up the musical meanings, and at the same time, he melted the music material of the “Plum Blossom” into the flute sound poem “Plum Blossom”. The author cleverly applied a series of seven-hole solo flute a series of new performance skills, supplemented by the multi-sounding device and the new tone