传统画梅构图讲究穿插、疏密、宾主、对比、呼应、虚实、开合等法则。还有诸如“无女不美”“计白当黑”“疏可走马”“密不插针”等理论兼为前人在长期的实践中总结出来的构图规律,这些基本法则在传统绘画作品中得到了淋漓尽致的体现。然而千百年来真正有特色的章法,也只有简单几种。历观前人画梅,在章法上可分折枝、仰枝、垂枝、纵横、小景五种格局。由于对笔墨技术和传统章法程式的固守与迷恋,以致千人一面,陈陈相因。当今社会,大量西方文化的侵入和各种视觉艺术 Pay attention to the traditional composition of Plum map interspersed, density, guests, contrast, echo, actual situation, opening and closing and other laws. There are such as “no woman ” “white when the black ” “sparse and can ” “” not pin and other theories and for the predecessors in the long-term practice summarized the composition of the law , These basic rules have been vividly embodied in the traditional painting works. However, there are only a few simple rules that have been truly unique for thousands of years. Historical view of Plum, in the chapter can be divided into branches, Yang Zhi, weeping, aspect, small King five kinds of patterns. Due to stickiness and obsession with the pen and ink techniques and the traditional rules of procedure, one side leads to Chen Xiangxiang. Today’s society, a large number of Western invasion of culture and all kinds of visual arts