西方戏剧中独有的悲剧、喜剧严格区别的现象 ,是世界剧坛上偶然、暂时和局部的现象 ,并不具有必然性、永恒性和普遍性。无论从起源还是发展上来看 ,中国戏曲中都不存在西方悲喜剧的绝大部分差异对立。但近代中国学人比照西方悲剧观念 ,从外部植入了中国悲剧的一整套话语 ,建立起西方式的中国悲剧理论与历史体系。这也是百多年来大多数中国学科体系建立的模式。这种西化的后果 ,既有积极的 ,也有消极的。笔者认为 ,中国文化应在保持传统的基础上发展 ,不能够也不应该“现代化”。而当今中国文化正面临被全面西化的最严重危机。 Western drama unique tragedy, comedy strict distinction between the phenomenon of the world’s theatrical occasional, temporary and partial phenomenon, not necessarily inevitable, timeless and universal. In terms of origin and development, most differences between western tragedies and comedies do not exist in Chinese traditional opera. However, in the light of the concept of western tragedy, modern Chinese scholars have implanted the whole set of discourses of Chinese tragedy from the outside and established the western-style Chinese tragedy theory and historical system. This is also the model most Chinese institutions have established over the past hundred years. The westernization of the consequences, both positive and negative. The author believes that Chinese culture should develop on the basis of maintaining tradition and can not and should not be “modernized.” Today’s Chinese culture is facing the most serious crisis of Westernization.