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美国作曲家、理论家、教师罗杰·塞兴斯,1896年12月28日出生于纽约的布鲁克林,是自二十年代以来一位对美国音乐的发展颇有影响的重要作曲家。塞兴斯的《第一交响曲》、《第一钢琴奏鸣曲》写作于二十年代末,深受斯特拉文斯基和布鲁赫的影响;三十年代创作的《小提琴协奏曲》、《第一弦乐四重奏》等作品,尽管有一些调性变化音的功能组织,也深受勋伯格中期无调性音乐的影响。塞兴斯的风格是对位化的,它不仅表现在节奏方面,而且也通过所控制的非和弦音的使用,导致展开着的、不同的结构水平,在逐渐的变化中,引起和声的运动,这是他的作品不同于斯特拉文斯基之处。他使用非和声音引起不断增涨的半音化;而斯特拉文斯基的音乐则是半自然音化的。
American composer, theorist, and teacher Roger Seding, born December 28, 1896 in Brooklyn, New York, is an influential composer of American music since the 1920s. The writing of Synces Symphony No. 1 and Piano Sonata No. 1 was influenced by Stravinsky and Bruch in the late 1920s. The violin concerto in the 1930s, A string quartet "and other works, although there are some tonal changes in the tone of the functional organization, but also by Schönberg mediocre non-tonal music. The style of Sessions is regularized, not only in terms of rhythm, but also in the use of controlled non-chord sounds, leading to a wide range of different structural levels that, in a gradual change, cause harmonies Sports, this is his work is different from Stravinsky place. He used non-harmonies to generate ever-increasing semitones; whereas Stravinsky’s music was semi-natural.