论文部分内容阅读
书法创作对于贾平凹来说是一种在文学之外的未能尽兴的一种发泄和消遣。通过他的书法,可以窥探到在另一种语言世界里的贾平凹。在转益多师,尤其从传统文化中汲取营养,不断地领略传统书法经典的风光中,贾平凹寻找到了属于他自己的书法语言。在长期的书法实践过程中,逐步形成自己独特的书法语言形式。他的书法创作和他的画所反映的精神追求是一致的,贾平凹的书法作品所透出的静穆淡远,飘逸灵活而又天真朴讷的空灵之美,深长而醇厚的艺术诗情和韵味,和他的感应自然、体验人生的艺术主张是分不开的。
Calligraphy is an excuse and pastime for Jia Pingwa to fail to enjoy beyond literature. Through his calligraphy, one can glimpse Jia Pingwa in another language world. In the transfer of multiple teachers, especially from the traditional culture to absorb nutrients, continue to enjoy the classic scenery of traditional calligraphy, Jia Pingwa found his own calligraphy language. In the long process of calligraphy practice, gradually form its own unique form of calligraphy language. His calligraphy creation is consistent with the spiritual pursuit reflected in his paintings. The quiet, distant, elegant and naive beauty of Jia Pingwa’s calligraphic works reveals the long and mellow artistic poetic and artistic charm, And his induction of nature, the art of life experience is inseparable from the idea.