要按时完成投资方和制片人提出的“命题作文”,对剧作家来说,无疑是一件痛苦而无奈的事情。痛苦是指剧作家对这些命题不熟悉,不感兴趣。因而也就缺少创作激情和创作灵感;无奈是指当剧作家置身于商品经济的环境之中。衣食无着时,不得不接受老板们的文化施舍。其实,当我们的剧作家冷静下来,他们往往站在文化和商业的双重立场上对一部他们即使将投资的影视剧进行策划。比如“题目”和“进度”不大符合剧作家的胃口,但却整体运作的合理性,“题目”很 It is undoubtedly a painful and helpless thing for the playwright to finish the “Proposition Essay” put forward by the investor and the producer on time. Pain refers to the playwright unfamiliar with these propositions and is not interested. Thus lack of creative passion and creative inspiration; helplessness means that the playwright is exposed to the environment of commodity economy. Without food and clothing, had to accept the boss’s cultural charity. Actually, when our playwrights calm down, they tend to stand in a dual position of culture and business even if they plan to invest in the film and television drama. Such as “title” and “progress” is not in line with the playwright’s appetite, but the overall operation of the rationality of the “problem” is