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黄图珌散曲在题材表现、创作技巧及曲学追求等方面展现出多维的文学价值。在题材表现上,着力描摹醉酒情态、频繁使用渔父意象、精心再现山水美景,体现了对散曲传统题材的回归,展现了作者的真性情和多重的内心世界;在创作手法上,引序入曲,化俗为雅,表现出南北曲在风格上归于一体的时代特征;在创作形式上,大量运用集曲,体现了对曲调、曲题、曲序、曲文及曲情完美统一境界的艺术追求。黄图珌的散曲创作,在散曲日渐衰落的清中叶具有独特意义。
Huang Tuo 珌 Sanqu demonstrates multi-dimensional literary value in the aspects of theme performance, creative skills and pursuit of music. In the performance of the theme, painstakingly portrayed the modus operandi, frequent use of fisherman’s image, elaborate landscape beauty, reflects the return to the traditional themes of Sanqu, showing the author’s true nature and multiple inner world; in the creative approach, Songs, vulgar and elegant, showing the style of the North and the South attributed to one of the characteristics of the times; in the creative form, the extensive use of the set of songs, embodies the tune, song, sequence, music and melody perfectly unified realm Art pursuit. Huang Tuo’s Sanqu creation has a unique meaning in the mid-Qing period, where Sanqu is gradually declining.