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中国少数民族题材的油画在创作方式上具有不同于传统油画的特点,它的绘画语言和内涵观念都根植于中国少数民族文化的土壤之中,蕴含了丰富的人文精神,展现了少数民族的风采。在中国少数民族题材油画的长期发展中,文化自觉渗透于油画创作的不同方面,这种创作思路的变化是中国油画发展的积极因素之一。文章尝试采用文化人类学的视角,探寻少数民族题材油画的形式与观念、理论背景及其意义与价值,从而探索少数民族题材油画的发展之路。
Chinese oil paintings with minority nationalities have different characteristics from traditional oil paintings in their creation methods. Their painting language and connotation are rooted in the soil of the Chinese minority cultures, embodying a rich humanistic spirit and demonstrating the demeanor of the ethnic minorities . In the long-term development of ethnic minority oil paintings in China, culture is consciously infiltrated into different aspects of oil painting creation. This change of creative thinking is one of the positive factors in the development of Chinese oil painting. The article attempts to explore the form and concept, the theoretical background, the significance and value of minority ethnic oil paintings from the perspective of cultural anthropology and explore the development of ethnic minority oil painting.