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《国画家》2007年第5期围绕着“形”和“神”虚实问题的探讨,实际揭开的是“写意”和“写实”关系问题。在这里我无意评价“写意”和“写实”的高低,但必须真正理解和领悟“形”和“神”的关系是在旋转的运动中不断转变虚实的位置。
On the discussion of the actual situation of “Form ” and “God ”, the fifth issue of “Chinese Painter” actually opens up the relationship between “freehand” and “realistic”. Here I do not intend to evaluate the level of “freehand” and “realistic” but we must truly understand and realize that the relationship between “form” and “god” is to change the position of the actual situation in a rotating movement.