孟涛与邱光平:禽兽的象征孟涛作品以绘画为主,兼有刺绣、浮雕、装置等等,均以动物的死亡为题材,或是鱼类的挣扎,或是禽鸟的虐杀。但对其作品的认识并非完全从题材到内容,艺术家也无意于凭借人和动物的关系去进行道德批判。他只想通过画面本身的表达方式,给人以感觉感受中的深刻体验,至于从中能够体会出些什么,则是观者自身的心理反应。其作十分绚丽,如色彩鲜艳的织锦。花红柳绿,一片璀璨。笔下的孔雀、鸳鸯之类,羽翅翎毛漂亮得让人心醉。画家极善于刻画禽鸟的毛皮,拉丝般的笔触总是绘出细致入微的肌理,令观者不能不为之动容。然而细审画面,观赏的惊异会陡然而至,原来花 Meng Tao and Qiu Guangping: Symbols of Animals Meng Tao’s paintings are mainly paintings. They include embroidery, relief, installation, etc., all of which are based on the death of animals or the struggle of fish or the killing of birds. However, the understanding of his works is not entirely from the subject matter to the content, and the artist does not intend to conduct moral criticism by virtue of the relationship between man and animal. He just wanted to express the profound experience in the feeling through the expression of the picture itself. As for what can be realized from it, it is the psychological reaction of the viewer himself. Its very beautiful, such as colorful brocade. Red and green, a bright. Pen peacocks, mandarin ducks and the like, plumage feather pretty beautiful. The painter is very good at characterizing the poultry’s fur, brushed strokes are always drawn meticulous texture, so that viewers can not help but move. However, fine screen, ornamental surprise will suddenly come, the original flower