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李青萍晚年绘画作品中有一个特殊的三角形或梯形符号,所描绘的对象是日本富士山,作品的数量达到二三十幅之多。山和影互相依偎,互相映衬,画面的色彩完全意象,时而绚丽多姿,时而杂乱凄迷。形式永远是象征着某种事物的符号,承载着个人的生活经历和人生阅历。文章试从李青萍的富士山作品中解读山与影的意义以及她的人生经历。
Li Qingping has a special triangle or trapezoid in his paintings of late Qing Dynasty, depicting Mount Fuji in Japan and the number of his works has reached as high as twenty or thirty. Mountain and shadow cuddling each other, against each other, the color of the picture completely image, sometimes beautiful and colorful, sometimes messy and miserable. Form is always a symbol of something, bearing the personal life experience and life experience. The article tries to interpret the meaning of mountain and shadow and her life experience from Li Qingping’s works of Mount Fuji.