川 剧剧种的形成过程 ,实质上也就是清末民初四川生存主体诸种力量因素的必然遇合与偶然突变而准备向“现代化”迈进的戏曲化显现过程。从同一运动规律的主客体关系而论 ,世界戏剧的相通相同 ,根本上源于人类追求真、善、美精神文明的一致性 ;人类戏剧的种种不同 ,根本上不过是 The formation process of Sichuan opera is essentially the inevitable encounter of various forces of the mainstay of survival in Sichuan during the late Qing dynasty and early Republic of China and the dramatic manifestation of the drama that is prepared to march toward “modernization.” From the perspective of the relationship between the subject and the object in the same law of motion, the sameities in the world’s drama are basically the same as those derived from the pursuit of truth, goodness and beauty by mankind. The differences in human drama are basically nothing more than