我很喜欢木偶片《阿凡提》的人物、布景的造型设计。作者用极其简练、朴素的艺术手法高度概括地表现出人物性格和典型环境。统一、谐调的装饰趣味,给了我美的享受。在极左思潮统治艺术领域的时期,有一条严格的戒律,即所谓不得“丑化正面人物”。即使是以夸张为特征的漫画作品,被夸张的形象,也只能是否定人物。如把工、农、兵或干部来个变形,就可能挨“歪曲”正面人物形象的大棒。在国外普遍受到读者欢迎的漫画人像这一画种,是没法存在的。这条戒律也适用于动画片。当在有人物故事的动画片里出现英雄时,象“样板戏”一样,也总要被处理成竖眉毛、瞪眼睛,挺胸叠肚,粗胳膊粗腿,使人看了感到又硬又僵,片片同样,索然寡味,令人厌烦!粉碎“四人帮”后,人们的思想逐渐从禁锢中解放出来,出现了一些较好的文艺作品与电影,动画片《阿凡提》可算一个。设计者对片中所有人物,甚至一条驴子,都一视同仁地作了大胆夸张的艺术处理。例如阿凡提这个英雄形象,是个大长脸,瘦条个儿,细胳膊细腿, I like the puppet piece “Avanti” characters, the design of the scenery. The author uses a very concise, simple art techniques to highly summarize the character and the typical environment. Uniform, harmonious decorative taste, gave me the beauty to enjoy. In the period when the ultra-leftist ideology dominated the art field, there was a strict precept that the so-called “devaluation of the positive person” should not be allowed. Even comics featuring exaggeration can only be denied characters if they are exaggerated. If we change the workers, peasants, soldiers or cadres, we may be able to “distort” the big stick of the positive figure. There is no such thing as a cartoon portrait widely accepted by readers abroad. This commandment also applies to cartoons. When a hero appears in an animated cartoon with characters, it is always treated as a vertical eyebrow, like a “model drama,” with its eyes widened, thick arms and thick legs, After the smashing of the “gang of four,” people’s minds are gradually liberated from imprisonment and some good works of art and movies appear. “Avanti,” an animated cartoon, can be counted as one. Designers of all the people in the film, even a donkey, made a bold exaggeration of artistic treatment. For example, Avanti this heroic image is a long face, a thin strip, thin arms and legs,