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中央歌剧舞剧院为了纪念毛主席《在延安文艺座谈会上的讲话》发表二十周年,重新排演了歌剧《白毛女》,受到观众的热烈欢迎和戏剧界的重视。本刊编辑部于7月14日下午邀请首都文艺、戏剧界的一些同志举行了一次座谈会。座谈会由张庚同志主持,出席的有:田汉、萧三、李健吾、刘佳、金紫光、张正宇、乔羽、叶林、任萍、李超、贺敬之、舒强、王昆、郭兰英、李波等同志。大家畅谈了对歌剧《白毛女》新演出的观感,并且由此议論到当前歌剧艺术中的一些問题。下面是大家的发言。因篇幅关系,我们曾作了一些删节。
In order to commemorate the twentieth anniversary of Chairman Mao’s “Speech at Yan’an Literary and Art Symposium”, the Central Opera and Dance Theater re-rehearsed the opera “White-Haired Girl” and was warmly received by the audience and valued by the theater industry. The editorial department of our magazine invited some comrades in the capital’s literature and art and theater circles to hold a symposium on the afternoon of July 14. The symposium was chaired by Comrade Zhang Geng and attended by Tian Han, Xiao San, Li Jianwu, Liu Jia, Jin Ziguang, Zhang Zhengyu, Qiao Yu, Ye Lin, Ren Ping, Li Chao, He Jingzhi, Shu Qiang, Wang Kun and Guo Lanying , Li Bo and other comrades. Everyone talked about the performance of the opera, “White-Haired Girl,” the new look, and thus talked about some of the current opera art issues. Here’s what everyone’s speech. Due to space, we made some abridgement.