这个时期作曲家明显地拒绝典范的形式和传统体裁。而综合性的体裁,如声乐交响乐、不同形式的声乐——器乐套曲、交响曲和协奏曲的结合形式等成了最基本的体裁形式。引人注目的是出现了个性化的体裁形式,这是在新民间音乐创作的主题发展条件下形成的一种倾向,这使人想起谢德林和斯洛尼姆斯基等人的创作。体裁—形象结构的个性化可以认为是最重要的阶段特点。这是由拒绝主题发展的紧张性,声乐、器乐因素相互渗透的结果。 The composer clearly rejected the exemplary form and traditional genre during this period. Synthetic genres such as vocal symphony, different forms of vocal music - instrumental music, symphony and concerto form the most basic form of the genre. What attracted people’s attention was the emergence of a personalized genre, a tendency that emerged under the thematic development of new folk music, reminiscent of the writings of Shchedrin and Sloinomski. Genre - the individuality of the image structure can be considered as the most important stage features. This is the result of the interpenetration of tensions, vocality and instrumental factors that reject the development of the theme.