冯远既是一位有成就的画家,又担任文化部教科司司长,对大师问题有着非常鲜明的观点。下面是对他访谈的摘要。 首先对大师这个说法很难求全。比如说,某位画家在作品的面貌方面包括形式语言、技术上具有很大容量,或对后世产生很大影响,他可能成为大师;有人可能在做艺术家的同时,在教育方面又有所补充,有可能成为大师;有的在绘画上有成就,在理论上又有建树,也能成为大师。应该说,大师是有个人特点的,各人不尽相同。但不管有多少不同,有一点是共同的,那就是大师是具有厚度的,它有一个基本的底线,有一个基本条件,如果达不 Feng Yuan is both an accomplished painter and a director of the discipline department of the Ministry of Culture. He has a very distinct view on the master issue. Below is a summary of the interview with him. First of all, it is hard to find a perfect master. For example, an artist who includes formal language in terms of the appearance of a work, has a great technical capacity, or has a great influence on future generations, may become a master; someone may make an educational addition to an artist , It is possible to become a master; some achievements in painting, in theory, they can accomplish something, but also become a master. It should be said that the master is a personal characteristic, different from each other. But no matter how many different, one thing is common, that is, the master is a thick, it has a basic bottom line, there is a basic condition, if not up