靳卫红:这次苏州的个展“吴门楚语”作为你思考的一个节点,同时也是代表了你一直以来年艺术思考的一个具体例子。我们是不是就此谈谈你的整个创作历程?尚扬:那就从上世纪90年代谈起,80年代以前涉及很多风格的变化,其实是很粗浅的。靳卫红:我觉得你每一个时期的转变都引起美术界的关注,这并不是一个简单的问题。一个艺术家能够一直吸引着批评的目光,说明他对时代的敏感和叙述的准确。比如《董其昌计划》,甚至也可以说它是中国当代艺术的一个事。尚扬:那个作品的想法在 Jin Weihong: This solo show in Suzhou “Wu Menchu ​​” is a node you think about, and it also represents a concrete example of your artistic thinking in the past years. We are not here to talk about your entire creation process? Shang Yang: Then from the 90s of last century, involving a lot of style changes before the 80s, is actually very superficial. Jin Weihong: I think your every time the changes have aroused the attention of the fine arts, this is not a simple question. An artist can always attract the attention of critics, indicating his sensitivity to the times and the accuracy of the narrative. Such as “Dong Qichang plan,” or even say it is one of the things in contemporary Chinese art. Shang Yang: The idea of ​​that work is there