时间:2013年3月23~24日地点:今日美术馆北京大学潘公凯:我先简单解释一下。首先,这个展览不是一个回顾展,也不是一个作品的成绩展示,而是希望通过自身的实践和提出理论问题来引起更多思考。因此,我在展览的同时组织了多次学术活动,有六七次是和学生交流,还有四五次是与专家研讨。尽可能把中国艺术界当下面临的一些关键问题呈现出来,希望引起大家讨论并展开批评。展览包括四个部分,水墨画、装置、理论和建筑,它们既相互联系又各自独立,唯有一 Time: March 23 ~ 24, 2013 Venue: Today Art Museum Peking University Pan Gongkai: Let me briefly explain. First of all, this exhibition is not a retrospective, nor is it a performance of a work. Instead, it is hoped that it can arouse more thinking through its own practice and raising theoretical issues. Therefore, I organized many academic activities at the same time as the exhibition, six or seven times to communicate with students, and four or five times to discuss with experts. As far as possible, present some key issues facing the Chinese art scene at present, hoping to arouse discussion and criticism. The exhibition consists of four parts, ink painting, installation, theory and architecture, they are both interrelated and independent, only one