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据说如今是散文或随笔的年代,随着当年以余秋雨为代表的学者散文身价日隆,各种冠以文化或学术名目的文章如过江之鲫,良莠难辨地充塞于坊间,以至形成了散文创作领域的“文化热”。乍一看,这似乎有利于矫治散文界一度流行的矫情、滥情等沉疴,好像在提高散文的文化品位方面不无裨益,但实际的情形远没有这么乐观。在所谓的“文化散文”中,倒不乏“半吊子”文化、“半吊子”散文的货色。
It is said that now is the era of essay or essay, with the scholars of Yu Qiuyu as the representative of the day Prudential, all kinds of cultural or academic titles of articles such as the crucian carp, good and bad hard to identify in the filling, as well as the formation of The “cultural fever” in the field of prose creation. At first glance, this seems to be conducive to rehabilitating the previously popular hypocritical and abusive indignation in the essayist community. It seems that there is no benefit in raising the cultural quality of essays, but the actual situation is far from optimistic. In the so-called “cultural essay,” there is no shortage of “half-boarded” culture, “half-baked” prose.