论文部分内容阅读
众所周知,“后现代主义”是针对“现代主义”的局限性而产生的,用R·文丘里的话来说:“它是在发现‘现代主义’对当代文化的‘矛盾性’和‘复杂性’状况无能为力的时候产生的。”因此,我们可以说:“后现代运动实验的最终目的是努力去使建筑显示出它应有的意义。”但是,在当今这一“后现代”的大实验室里,欧美建筑界的一些人越来越表现出他们有改变初衷的危险,他们把建筑创作当做一种时尚,把建筑的形式做为专利的工具。“复古主义”等手法的滥用也越来越表现出他们对这场“具有确定目
As we all know, “post-modernism” is produced in response to the limitations of “modernism”. In the words of R. Venturi, “it is the discovery of the 'contradictoryness' and 'complexity' of contemporary culture. ”When conditions are powerless,“ we can say, ”The ultimate goal of the post-modern movement experiment is to try to make the building show its proper meaning.“ But in today's post-modern experiment In the room, some people in the European and American architectural circles are increasingly showing that they are in danger of changing their original intentions. They regard architectural creation as a fashion and use architectural forms as a tool for patents. The abuse of ”retrodism" and other techniques have also increasingly demonstrated that they have a certain goal for this game.