我是一名普通的书法爱好者和学习者,已在中国书法家协会崔胜辉导师工作室学习5年,只因近几年小有成绩,被身边很多的朋友称之为书法家。“家”不敢当,书法盛世,墨海弄潮,自己也仅仅是一名普通的弄潮之人。墨海之宽博,知其一二,便可使自己开阔眼界,宽广心胸。书朋道友常常问及我成功的秘诀,我常笑答:着实无他秘,唯在临帖耳。临帖的一大要诀,就是精准。有晚辈前来请教之时,我常常动笔示范,写完以后,将临习之字,放在字帖之上,几乎重叠。不仅是结构上毫无保留的覆盖在字帖字形上,而且笔画的外沿皆与原帖同势,笔画偏旁倚仗完美。晚辈惊叹之 I am an ordinary calligrapher and learner. I have been studying in the workshop of Cui Shenghui, a lecturer of the Chinese Calligraphers Association, for five years. I was called a calligrapher by a lot of my friends because of her small accomplishments in recent years. “Home ” not when, calligraphy flourishing, Mexican sea tide, he is just an ordinary tide of people. The wide Bo Bo Mo, know one or two, you can make their own broaden their horizons, broad minded. Friends of the book often ask my secret of success, I often laugh: really no secret, only in the temporary posts ear. Pro a key tip, is accurate. When I came to ask for advice from younger generations, I used to give demonstrations. When I finished writing, I wrote the words of the internship on the copybook, almost overlapping. Not only is the structure without reservation on the copywriting glyphs, and the strokes are the same edge with the original quote, strokes relying on perfection strokes. Exclaimed the younger generation