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能参加毛晓春先生的新书首发和书法展览,我感到很高兴,就毛晓春先生的书法,我谈点自己的看法和体会。康有为在评价邓石如与黄子高时指出,二人“一以奇变称能,一以摹古擅绝”。清朝以来,书写甲骨文和金石书法的艺术家也大抵是这两种取径:一者以柔软的毛笔拟刀范之形和剥蚀效果,如傅青主、黄宾虹便是;另外者将甲金文字规范划整,以经过自我提炼的笔法书之,如罗振玉、杨沂孙、吴大澄等辈。等而下之者,如近人余
I am very pleased to participate in the first book and calligraphy exhibition of Mr. Mao Xiaochun. On the calligraphy of Mr. Mao Xiaochun, let me talk about my own views and experiences. Kang Youwei pointed out in his comments on Deng Shiru and Huang Zigao that the two of them “can not be changed in the same way” and “one is better than the other”. Since the Qing Dynasty, the artist who wrote the calligraphy of the inscriptions on the inscriptions on the stone and the stone has probably taken the two kinds of approaches: one is in the shape of a soft brush and the erode effect, such as Fu Qingzhu and Huang Binhong; , To self-refined pen calligraphy, such as Luo Zhenyu, Yang Yi Sun, Wu Dacheng and other generations. Wait for the next person, such as nearly a few people