朋友来访,要我为戏曲志条目提供资料。幸亏箱箧里还残留着一堆由于疏懒而不曾遗弃的乱纸,也许正因为它乱,当年才漫不经心地留在安庆,从而躲过了我在池州的那场浩劫。一张深绿油墨铅印的小纸映入眼帘。这不是二十九年前《女驸马》在安庆首演时,我替剧团写的说明书么?它记载着演员、编剧、导演、舞美、音乐等各方面工作人员的姓名。面对这褪了色的历史见证, Friends visit, asking me to provide information for opera entries. Fortunately, there still remains a pile of random pieces of paper that have not been discarded due to laziness. Perhaps because of its chaos, I was in Anqing carelessly in that year and thus escaped my catastrophe in Chizhou. A dark green ink printed on the small paper greeted. This is not the manual I wrote for the troupe when “Nuwa Ma” premiered in Anqing twenty-nine years ago? It records the names of the staff members, screenwriters, directors, dancers and musicians, and music workers. In the face of this faded historical witness,