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公元一六八五年,七十八岁的傅山去世了,临终前,这位皇明遗民嘱咐后人,要以朱衣黄冠入殓,如同吴梅村临殁命人“殓以僧装”一样,最后一次向令他痛苦挣扎的新朝和尘世作出了拒绝。对于明亡以后四十年“不生不死间”的人生,也许死亡才真正是一种解脱。然而,无论是在当日还是三百多年后的今天,傅山的名字和他留给世间的意义,一直未曾磨逝、间断,他在书法史上的地位,也愈加为后人所瞩目。傅山的书画创作,独步明清之际的中国艺术史,甚至直到今天,他仍是一
In 1865, the seventy-eight-year-old Fu Shan passed away. Before his death, the emperor’s descendants ordered his descendants to wear a yellow cloak of arms in the same way as Wu Meicun, Like the last one, he rejected the new dynasty and earth that struggled with him. For the life of forty years after Ming dynasty “life and death ”, perhaps death is really a kind of relief. However, both today and more than three hundred years later, Fu Shan’s name and his significance to the world have never waned, and his position in the history of calligraphy has become more and more noticed by future generations. Fu Shan’s painting and calligraphy creation, the only Chinese Ming and Qing art history, and even today, he is still a