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莱辛作为德国启蒙运动的代表人物,他的文艺创作和文艺批评活动都体现了新兴资产阶级变革社会的要求。他以古典艺术的“高贵的单纯,静穆的伟大”为批判对象,反对将其作为一切艺术的准则。他反对斯多噶派宣扬的禁欲主义,认为作家应该表现真正的人,充分表现真实的情感,而不是去压抑情感,掩盖人的本性,进而在《拉奥孔》中提出了“有人气的英雄”的美学命题,对后世的文学创作和典型人物的刻画都影响深远。
As a representative of the Enlightenment in Germany, Lessing embodies the requirements of the emerging bourgeois revolution in society. He is the object of criticism of the “noble, pure and quiet” of classical art, and rejects it as the criterion of all arts. He objected to the asceticism advocated by the Stoics. He believed that writers should show real people and fully demonstrate real emotion instead of suppressing emotions and concealing human nature. In “Laocoon” Heroes "aesthetic proposition, the later literary creation and the portrayal of the typical characters have a profound impact.