常看戏曲的人,有时会碰上一种恼人的景象,人们称之日“伴奏压唱”。从乐池传来的过量的音响把演员的唱词和念白全淹没了。特别是那些交待重要情节或富有诗情画意的戏剧语言,无法送进观众的耳朵,实在令人惋惜。遇上了这种“干扰”,观众恨不得跑上台侧去祈求那些伴奏者,请他们高抬贵手,减弱音量。其所以会有压唱现象,我以为重要原因之一是,某些器乐演奏员没有理解“伴奏”两个字的涵义。我决没有轻视伴奏乐队的意思,相反,我很了解乐队在戏曲这门综合艺术中的重要地位。也正因为如此,才强烈地感到,应该让某些演奏员懂得,伴奏的职责是伴,而不是压。如果不照顾前台演员的演唱效果与观众的欣赏需要, Often see the opera people, sometimes encounter an annoying scene, people called the “accompaniment.” Excessive sound coming from the pool overwhelmed the actors’ words and thoughts. It is indeed a pity that those dramatist language, especially those which convey important episodes or poetic pictures, can not be sent to the audience’s ears. Encountered this “interference”, the audience can not wait to run to the stage to pray for those accomplices, ask them to exalt their hands and reduce the volume. One of the important reasons why I think there is a phenomenon of singing and singing is that some instrumentalists do not understand the meaning of “accompaniment”. I did not underestimate the meaning of the orchestra, on the contrary, I know well the importance of the orchestra in this comprehensive art of opera. Precisely because of this, I felt strongly that some performers should be aware that accompaniment should be accompanied by responsibilities rather than pressure. If you do not take care of the performance of the front stage actors and the audience’s appreciation needs,