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作为19世纪70-80年代华裔美国女作家的代表人物,谭恩美的《喜福会》和《灶神之妻》以及汤亭亭的《女勇士》三部作品中描述了第二代华裔女性处于种族和性别歧视以及父母所代表的中国传统文化和自己接受的西方先进教育的重重矛盾和重压下,母女两代人复杂的关系。本人通过研究“母女关系”这一主题,通过回顾母女间从最初的冲突、隔阂和摩擦到最终的融合和认同的历程,试图探讨母亲对女儿的身份属性和文化归属的建构过程中的作用。
As the representative of the Chinese American women writers in the 1970s and 1980s, Amy Tan’s The Joy Luck Club and The Kitchen God’s Wife and The Young Warrior by Maxine Hong Kingston describe the second generation of Chinese-American women in racial And the complex contradictions and strains of gender discrimination and the traditional Chinese culture represented by their parents and the advanced Western education they themselves receive. By studying the theme of “relationship between mother and daughter”, I try to explore the construction process of mother’s identity attribute and culture attribution to her daughter by reviewing the process of her mother-daughter conflict from the initial conflict, estrangement and friction to the final fusion and identification. In the role.