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我拍摄的《鎏金银壶》,按照右手持壶的习惯,拍摄时确定为竖幅构图并将壶把置于右侧;由于壶的质地为银质鎏金,金、银反光都很强烈,在布光时光线不能太强烈直接,背景纸选用白渐变灰,两侧光用影室灯加70×120cm大柔光箱,顶光使用影室灯加60×60cm小柔光箱,顶光比侧光略强并把它用为主光,它的作用是一方面将壶把上的胡人头像突出,另一方面把流的口沿勾勒出来,同时顶光打在白色背景纸上反射到壶的底部使器物的下半部
I shot the “鎏 gold and silver pot”, according to the habit of holding the pot with the right hand, when shooting to determine the vertical frame composition and the pot placed on the right; as the texture of the pot is silver 鎏 gold, gold, silver reflective are very strong , The light can not be too strong in the light when the cloth directly, the background paper use white gradient gray, both sides of the studio light plus 70 × 120cm big soft box, the top light use studio lights plus 60 × 60cm small softbox, top Light slightly stronger than the side light and use it as the main light, its role is on the one hand the juggling of the pot on the prominent, on the other hand the flow of the outline of the sketched out at the same time the top light hit on a white background paper Reflect to the bottom of the pot to make the lower half of the object