树椿 画要作到言简意赅笔墨简括最难,郑板桥画竹四十年方留得清瘦,所谓一竿瘦两竿够三竿凑,故画者应当有意在简处着意来锤炼自己的绘画能力。 “树椿”以非常简括的笔墨构成了绘画的基本要素。方寸间经营了主要的倾斜趋势——树椿。树椿的下部冲向了底边的三分之一处,这应是花鸟画着笔同边线关系的最好方位,让主线冲向对角或在边线的中心位置都会给你下一步的经营带来麻烦。第二条线最要认真,这条线要从主体躯干的什么方向穿过,那都是至关重要的,在中或在上均不成局,最好的方位是在主干的下方三分之一处。位置确定了线又怎样地倾斜呢?右边从何处起笔,左边又从何处出纸呢?这时最要从空白处着力了,当两条线在方寸之间相交时,方寸间会出 Tree to draw to make simple and concise ink strokes summary is the most difficult, Zheng Banqiao draw bamboo for 40 years to stay thin, the so-called one thin and thin two pole enough for three pole, so the painter should be deliberately in the brief to temper his ability to draw. Tree Chun constitutes a basic element of painting with very brief brushwork. The king runs the main trend of tilt - Shu. The lower part of the tree-stump rushes to one-third of the bottom, which should be the best place for birds and flowers to draw the pen’s line of sight with each other. Letting the main line diagonally or at the center of the edge will give you the next business belt To trouble. The second line to be serious, this line from the main body of the torso in what direction through, it is crucial, in or on the unsuccessful, the best direction is the backbone of the bottom third one place. Where does the line position and how to tilt? From where on the right from the pen, the left where the paper from? At this time most from the blank of the effort, when the two lines intersect in the square inch, the square will come out