影院的新概念与新效果有人曾把影院比喻为神奇的窗口。确实,当场灯渐渐暗淡直至熄灭,随着窗帘般的纱幕徐徐移动,那扇几乎可包容一切景像的窗口便为观众敞开。正是这遍布全球的数十万大大小小的“窗口”,至今仍能吸引几百亿电影观众。然而,正是这个形象的比喻,使多少电影工作者苦恼。因为比起大千世界来,“窗口”所能提供的却是有限的视角,方向始终如一的单声源。而这一切总是时在提醒观众:他仅仅是个隔窗而望的旁观者。为了减少这种隔漠感而增强参予感,近半个世纪以来,在“拆除”那接近方形的“窗口”上,有过不懈地努力。其中最简单易行的是把“窗口”横 New concepts and new effects of cinema Some people have compared cinemas to magical windows. Indeed, when the spotlights dimmed and went out, the curtains, like the curtains, moved slowly, and the window that could contain almost all the sights was open to the audience. It is this hundreds of thousands of large and small “window” that spread all over the world. It still attracts 10 billion movie viewers. However, it is the metaphor of this image that has caused many movie workers to worry. Because compared to the world, the “window” can provide a limited perspective and a single source of consistent direction. And this always reminds the audience that he is just a spectator looking across the window. In order to reduce this sense of separation and enhance the sense of participation, we have been making unremitting efforts to “dismantle” the “window” that is close to the square in the past half century. One of the simplest is to put “window” horizontal