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文学创新大约称得上是一个具有普适性和恒久性的话题。纵观千百年来的文学发展史,一代又一代的精英、巨擘,尽管有着不同的哲学基础、审美取向、文化背景、历史条件,乃至国家与民族之属,然而在文学必须出新这一点上,却每每表现出明显一致的看法。海明威写道:“对于一个真正的作家来说,每一本书都应该成为他继续探索那些尚未到达的领域的一个新起点。他应该永远尝试去做那些从来没有人做过或者他人没有做成的事。”罗曼·罗兰认为:“我们必须学会甚至不被我们敬佩的人所奴役。”诸如此类的观点到了清代文史大家赵翼笔下,则化为一首理趣盎然的诗作:“满眼生机转化钧,天工人巧日争新。预支五百年新意,过了千年又觉陈。”
Literary innovation is arguably about universalism and permanence. Throughout the history of literary development over thousands of years, the elites and giants of generations after generation, despite their different philosophical foundations, aesthetic orientations, cultural backgrounds, historical conditions, and even national and ethnic affiliation, have to make a difference in literature On the contrary, they often show a clear consensus. Hemingway wrote: “For a real writer, every book should be a new starting point for him to continue exploring unexplored areas, and he should always try to do things that no one else has ever done or others have not done ”Romain Rowland argues that“ we must learn to enslave people who are not even admired by us. ”Such views have been turned into a poetic poem of interest by the late Qing Dynasty writer Zhao Yi : “Full of vitality transformation Jun, heavenly workers coincidentally strive for new ideas. Five hundred years of new ideas, after a thousand years and Chen.”