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由陶到瓷,从新石器时代迄今发展了近三千年的陶瓷艺术文化,而山水题材的工艺品及绘画从隋唐五代到宋元明清,前后也经历了一千三百多年的发展历史,曾一度成为陶瓷艺术史乃至中国绘画史的主流。它象一条巨大的艺术山脉,高峰耸峙,绵亘不断,无比雄伟神奇。从秦砖汉瓦《盐矿图》和《渔猎、收获图》乃至第61期《景德镇陶瓷》杂志封底所登《清代道光青花御窑场图》上可以看到十分生动有致的自然景物描绘。前者山峦起伏,
From pottery to porcelain, from the Neolithic era so far developed nearly three thousand years of ceramic art culture, landscape crafts and paintings from the Sui, Tang and Five Dynasties to the Song, Yuan, Ming and Qing dynasties, before and after also experienced a history of more than 1300 years, once a ceramic Art history and even the mainstream of Chinese painting history. It is like a huge artistic mountain range, peak stand, endless, extremely magnificent magic. From the Qin brick Hanwa “salt mine map” and “hunting, harvesting map” and even the 61st “Jingdezhen Ceramic” magazine on the back of the “Qing Dynasty Daoguang Qing Hua Yao kiln map” you can see a very vivid description of the natural scenery . The former undulating hills,