说起来,高全喜教授的这本论述中国古典写实主义的专著,以我的绘画为主要的分析对象,它的出版,我是没有想到的,也是非常感激的。我以为,这次会议不是谈我的画,也不是谈高老师的书,而是谈中国的现代油画艺术,谈古典主义油画,这样我才有勇气坐在这里,才敢谈一些自己有关艺术的感想。十年前我便与高老师有所接触,其间多有交流,他多次到美院和燕郊,看我的画,我们 All in all, Professor Gao Quanxi’s monograph on Chinese classical realism, with my painting as the main analytic object, is not grateful for its publication. It is also very grateful. I think this meeting is not about my paintings, nor is it about high teacher’s books, but about China’s modern oil painting art and classical oil painting, so I have the courage to sit here and dare to talk about some of my own art Feeling. Ten years ago, I came into contact with Gao. There were many exchanges during that time. He visited the Academy of Fine Arts and Yanjiao many times to see my paintings and we