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艺术评论:杨舟十几年来苦行僧一样专注和倔强地创作着“芥子园山水册页”系列、“有信仰的风景”系列和“有信仰的静物”系列,水墨书写式的笔触和看似淡而无色的色彩、有或无的山水图式、隐约山林间抱琴僧侣或寻隐者的形象,甚至一抹烛影、尖项的教堂、舒开的兰叶等符号,无一例外地表达其对当下和艺术信仰的自语、坚持和内省,挪借了《芥子园画谱》,用一种非常个人化的角度一次次回望传统文化的失落和一次次进入到一场关于艺术和心灵的修行中。
Artistic commentary: Yang Zhou has been devoting himself to the series of “Mustard Garden Landscape Album”, “Landscape of Faith Scenery” and “Still Life of Faith” series, ink-writing style Strokes and seemingly pale colors, with or without the landscape pattern, looming mountain clinging monks or find the image of the recluse, or even a touch of candles, sharp items of the church, Shu open leaves and other symbols, Without exception, to express their current and artistic beliefs in the self, perseverance and introspection, borrowed “mustard Park Painting”, with a very personal point of view of the loss of traditional culture again and again and again and again to enter a Field practice of art and mind.