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日前,由中央戏剧学院主办的“谭霈生戏剧理论学术研讨会”在京津两地举行,海峡两岸的戏剧理论家、戏剧史学家近百人出席会议。谭霈生,1933年出生,1956年毕业于中央戏剧学院戏剧文学系,1962年毕业于中国人民大学文学研究班。现为中央戏剧学院资深博士生导师。1981年,谭霈生出版的著作《论戏剧性》,是中国当代戏剧理论界第一次将戏剧文本从政治、经济与意识形态中独立出来的权威专著,在当时是难能可贵的。如果没有一定的政治勇气和理论勇气是做不到的。他积极参与戏剧实践,批判庸俗社会学,提倡“人学”的戏剧,坚持教学几十年,一大批戏剧创作者和批评家在他的影响下迅速成长。其后出版的《戏剧艺术的特性》、《戏剧本体论》等著作深化了中国现代戏剧理论。本刊刊发了研讨会上的两篇论文,旨在提倡要注重戏剧理论建设,科学地进行戏剧创作,讲求理论联系实际的作风。
Recently, the “Symposium on Theater Theory of Tan Yansheng” organized by the Central Academy of Drama was held in Beijing and Tianjin. Nearly 100 theater theaters and theater historians from both sides of the Taiwan Strait attended the conference. Tan Tansheng, born in 1933, graduated from Drama Department of Central Academy of Drama in 1956 and graduated from Literature Research Class of Renmin University of China in 1962. Now the Central Academy of Drama doctoral tutor. In 1981, Tan’s book The Thesis on Drama was the first authoritative monograph to separate drama text from politics, economy and ideology in contemporary Chinese theater theorists. It was commendable at that time. Without certain political courage and theoretical courage can not be done. He actively participated in the practice of drama, criticized the sociology of vulgarity, advocated “learning ” drama, insisted on teaching for decades, a large number of theater creators and critics under his influence rapid growth. Later published “the characteristics of drama art”, “drama ontology” and other works to deepen the theory of modern Chinese drama. The magazine published two papers at the seminar, which aims to advocate the need to pay attention to the construction of theatrical theory, scientifically make theatrical creation, emphasize the style of combining theory with practice.