一种文学观念或文学理论范畴无不基于某种特定的知识论模式。从古希腊哲人对世界“本原”或“真实世界”的追问到近代理性至上论者对知识产生过程的自觉考察 ,都是以主客体二分以及相信主体能够把握客体这样一种知识论设定为基础的。与此相应 ,在文学观念方面 ,从摹仿论的真实性到现实主义真实性 ,都是这种知识论设定的产物。实际上所谓真实性不过是文学叙事在经验层面上给接受者造成的一种效果而已。 A category of literary ideas or literary theory are based on a particular epistemological model. From the questions of ancient Greek philosophers to the “primitive” or “real world” of the world and the conscious investigation of the process of knowledge generation by modern rationalism forebears, both of them are based on dichotomy of subject and object, and of the epistemology that the subject can grasp the object based on. Correspondingly, in terms of literary concepts, from the authenticity of the imitation theory to the authenticity of the realism, this is the product of this epistemology. In fact the so-called authenticity is nothing more than an effect that literary narration creates on the empirical level.