一、中国画的虚实相生老子认为:先天地之生,有个浑然一体,万物根本的东西,它叫做“道”。“道”使万物得到统一,统一的事物又分裂为对立的两个方面,对立两个方面又产生新的第三者,如此无穷尽,但所有的万物都包涵着阴阳两种对立统一的势力。而“阳之出,常悬于前而任岁事,阴之出,常悬于后而守空虚。”说明了由于阳(实)的存在,才显现了阴(虚)。同样由于阴在后守虚,也就衬托了阳实在前,虚实在互补互存的运动中产生。 First, the actual situation of Chinese painting I think: the birth of the innate, there is a whole, everything fundamental things, it is called “Road ”. There is no end to such things as the unity of things, the unification of things, and the emergence of new third parties in opposition to two aspects. However, all things consist of two kinds of unity of opposites The forces. And “Yang’s out, often hanging in front of anything, Yin out, often hanging behind and keep the emptiness.” "Because of the existence of Yang (real), revealed the Yin (virtual). Also due to overcast after the Yin, also set off the real before, the actual situation in the mutual complementarity generated by the exercise.